Police Teeth, Mount Vicious, Steel Tigers of Death! @ The Funhouse
Any evening that starts with four men in colored briefs and butterfly wings and only gets crazier is bound to be fun, and this show …
Any evening that starts with four men in colored briefs and butterfly wings and only gets crazier is bound to be fun, and this show …
When I woke up on July 6, I had never heard of Toronto trio The Rural Alberta Advantage. By the time I went to bed that night, they were one of my favorite bands.
Toronto band Fucked Up was a band I’d been excited about seeing for many months when they hit Neumos Wednesday night. Their latest album, The Chemistry of Common Life, is one of the best I’ve bought in the past year, and I’d seen photos and heard talk of their awesome live show.
It’s obvious that a band that bills itself as “Japanese Comic Action Punk” is going to be a little bit wacky, but there was literally no way I could’ve predicted what I would see at last week’s Peelander-Z show.
Beloved Seattle pop-punk band Dateless played their final show last night at the Funhouse. The sentimental occasion, plus a great bill rounded out by Seattle’s Success! and San Jose’s The Pillowfights, drew a large and boisterous crowd.
High Class Wreckage makes big, sexy music. Full of thumping bass, growly vocals, and fuzzy guitars, they seem half seventies rock, half Mudhoney, and one hundred percent – to quote their MySpace page – sweaty fucking rock and roll. Live, they give their all, rocking their hardest even to a small weeknight room.
You’ve heard of Hell’s Kitchen, Tacoma’s biggest rock club. Maybe you’ve been there. Maybe you’d like to go there again. If all works out according to plan, you’ll have the chance.
On The Edge Of A Dream is the debut album from Portland band Caught In Motion. The record offers up ten tracks of delicate pop with piano leads and smooth vocals. Consistent, cohesive, and often very pretty, Dream is a sold effort that hints at the potential for even more.
Tomorrow Sasquatch will finally break its silence and announce its 2009 lineup. Even though there have been no official announcements about the festival besides the dates (Memorial Day Weekend, May 23-25), and even though the event itself is months away, blogs and message boards have been aflame for months with speculation on who will grace Sasquatch’s multiple stages.
Remember the New Era of live music? Those hopeful days when Live Nation’s launch of in-house ticketing promised to increase competition, decrease fees, and encourage new and more creative models of promotion, merchandising, and ticket sales?
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